Tag: banzhang

  • Neo-Noir Infusion: Drinking Time in a 2007 Banzhang Cake

    Neo-Noir Infusion: Drinking Time in a 2007 Banzhang Cake

    Lao Man Er, a brand many are likely familiar with, produced this cake in 2007 using old trees leaves from the Banzhang area. I doubt it includes LBZ or Lao Man E, and I equally doubt there is a significant share of XBZ, but there is something intriguing here. Beyond the brands and trends, there are things—or teas, in this case—that offer a window into a space and time distinct from our own, tempting those caught in the compulsion of favoring only a preferred label to look elsewhere.

    With its undeniable urban bohemian verve, it teaches the perfect balance of wet and dry storage, revealing mature yet still vibrant aromas woven into a humid structure, neither weary nor depleted by the damp condensation of some Taiwanese basement.

    Through earthy undertones interwoven with hints of leather seats from an old E-Class and cognac-soaked cork, it conjures a muggy, far-from-perfect night inside a car, where buildings seem to jostle against each other to stay upright. What emerges is a metropolitan Erebus seen through the hyperreal cornea of Richard Estes, with the visual cortex overexposed to those nocturnal images of smoke and decay, a flickering interplay of light and shadow in the neo-noir outskirts of Hong Kong.

    The leaves evoke the metallic sheen of a puddle on warm asphalt, the dry sweetness of tobacco, a distant echo of spices and herbal tinctures. They also bring to mind fermented fruit, aged pomelo peels, the scent of old haberdashery furniture, and the leather-bound books of a forgotten bookstore hidden in the alleys of a city that never sleeps.

    The sip feels like a 35mm frame, with each scent of time etched into it, like a latent image forming on film, one catches a glimpse of a past spent in some chipped underground warehouse, as well as a more recent existence in a better-exposed shop in Guangdong, when notes of chestnut, dried plum, figs, and kombucha come alive, only to give way to a faint yet persistent huigan, dissolving slowly and gradually like the last cigarette left burning, like the night retreating at dawn.